[00:01.48] When I was fifteen, sixteen when I started really to play the guitar [00:06.23] I definitely wanted to become a musician [00:09.56] It was almost impossible because the dream was so big [00:13.10] I didn't see any chance because I was living in a little town, I was studying [00:19.38] And when I finally broke away from school and became a musician [00:25.18] I thought "Well I may have a bit of a chance" [00:28.41] Because all I really wanted to do is music but not only play music [00:32.57] But compose music [00:35.40] At that time, in Germany, in '69, '70, they had already discotheques [00:42.05] So I would take my car, go to a discotheque, sing, maybe, thirty minutes [00:50.04] I think I had about seven, eight songs [00:52.95] I would partially sleep in the car [00:56.67] Because I didn't want to drive home and that helped me for, about, almost two years [01:03.97] To survive [01:05.34] In the beginning [01:08.77] I wanted to do a album with the sounds of the '50s, the sounds of the '60s, of the '70s [01:15.77] And then have a sound of the future [01:18.98] And I said, "Wait a second? [01:20.63] I know the synthesizer, why don't I use the synthesizer, which is the sound of the future." [01:27.43] And I didn't have any idea what to do, but I knew I needed a click, so we put a click on the twenty-four track [01:34.58] Which was then synch to the moog modular [01:38.56] I knew that it could be a sound of the future, but I didn't realise how much impact it would be [01:47.22] My name is Giovanni Giorgio, but everybody calls me Giorgio [01:53.02] [04:58.87] You want to free your mind about a concept of harmony and of music being correct [05:06.62] You can do whatever you want [05:07.96] So nobody told me what to do [05:10.90] And there was no preconception of what to do [05:13.81]